Wild and precious day

Who made the world?

Who made the swan, and the black bear?

Who made the grasshopper?

This grasshopper, I mean —

the one who has flung herself out of the grass,

the one who is eating sugar out of my hand,

who is moving her jaws back and forth instead of up and down —

who is gazing around with her enormous and complicated eyes.

Now she lifts her pale forearms and thoroughly washes her face.

Now she snaps her wings open, and floats away.

I don't know exactly what a prayer is.

I do know how to pay attention, how to fall down

into the grass, how to kneel down in the grass,

how to be idle and blessed, how to stroll through the fields,

which is what I have been doing all day.

Tell me, what else should I have done?

Doesn't everything die at last, and too soon?

Tell me, what is it you plan to do

with your one wild and precious life?

- Mary Oliver

Each year in early August all staff at my workplace are given a day off - a gesture of appreciation for our hard work throughout the year. And I wondered, as the day approached, how I might spend my one wild and precious day off. Although mid winter for me, I still wanted to create space for a bit of idleness, perhaps a social catch up, reading in a hammock or painting or watching passers-by. I also wanted to reflect on the year so far.

On a rainy day in late December last year I attended a collaging workshop. Sheltering in a small marquee with rickety card tables and milk crates for seats, my fellow participants and I flicked through magazines and vintage picture books in search of appropriate images while the rain continued to pelt the roof and form puddles around the perimeter of our tent. I somehow found myself drawn to several different pictures, reflecting aspects of myself and how I wanted my next year to be. A New Year’s Intention collage, if you will.

The image of a child, looking very much like me as a girl, sits at the centre of the final piece. I wanted my inner child, often present even in my 5th decade, to feel safe, considered and heard. And the outdated, dinosaur part of me is there too. I wanted to challenge myself to embrace change, growth and fresh perspectives even when I feel resistant. There’s a sense of colour, playfulness, beauty, sexiness and celebration throughout. I wanted to give space in my life for the intellectual, the creative, and the absurd. The word “power” appears, superimposed upon a large gathering of people. 

So, in our line of work we sometimes conduct a mid term review of a project. We want to know what's worked well, what hasn't, and what needs to change so we can meet our objectives. So, how have my New Year's intentions measured up so far? 

In the relational facets of life, there have surprises, disappointments and several opportunities for growth, strength, and to “listen to my gut”. I haven’t always listened to that niggling voice, but she’s usually right and I’m getting better at trusting her these days. I continue to express my perspective with truth and kindness, know my worth, negotiate better outcomes for myself and others and walk away from what isn’t working. By introducing playfulness, humility and vulnerability amongst colleagues earlier in the year, there is now a much stronger team collaboration that I’m really excited about.

As I made my way down leafy tree-lined streets towards the café where I was to meet a friend on my wild and precious day, I stopped to smell and take in the flowers. A small gallery in a suburban corner shop-front displayed a glorious autumnal felt coat in the window. Fascinated by the deep orange tones, and the large buttons, I gazed in awe. Unusual pottery dotted throughout the front window display caught my eye, and a woman waved at me almost imperceptibly from behind a sign saying “open by appointment only”. 

One subject that troubled me earlier in the year was a lack of unity amongst Quakers about Palestine. Through offering my perspective and inviting Friends to a conversation, I was part of a really powerful gathering in July where Friends opened up about fears, frustrations and deep heartache, leading to some strong statements being made publicly. It felt like the Spirit was moving amongst us as we listened deeply and were vulnerable. These are the moments and changes that feel most significant to me and we now have the momentum to shift more minds and hearts. 

And there have been changes to do with family. As Dad increases the frequency of his walking to twice daily, he’s found that he can make the trip up the street to Woollies with his newly acquired canvas shopping trolley, a venture that until a couple of months ago he hadn’t attempted for almost five years. The reward of a skinny cappuccino in a nearby café follows a now weekly shopping venture. Yet, as his memory for PINs, and online payment processes and his breakfast routine wax and wane, his appreciation for the important things in life seems to steadily grow. Dad expresses touching appreciation for visits and I've come to also enjoy sharing stories of the past week, and the distant past. We’re getting back into writing up his stories, reflections and perspectives, which will form a lovely memory piece once completed. There are also elements of the absurd that become exaggerated in the re-telling, and I realise that I’m just as fascinated with how our brain works when it slows down as when it starts up. 

I’ve been watching “The Marvellous Mrs Maisel” over the past couple of weeks, and I admire the self-confidence and vulnerability of the witty protagonist, a fictional woman in the late 1950s (said to be based on a real person) who discovers in herself a comedic talent at a time of great adversity and pursues this unusual, playful and bold direction with hilarious results. Drama ensues. Perhaps there are possibilities and lessons for my life in that example.

As my wild and precious day draws to a close, I’m glad to have had time to be social, to reflect, to read and to write and be idle in the corner table of another local café. In the next half of the year, I want to explore more of the creative and absurd - they are going to be my lifeline as other facets of my world will demand increasing portions of my mental and emotional resources. I’ll need to continue to listen to and trust my instinct, recalibrate continually so that the “other focussed” dominant gene steps back from the automatic mode of accommodating others’ needs and demands and lets the “self" aware part take centre stage. Laughter, time with friends, and hugs will all have a part to play in Act 2.

Female, maddened and mute

At the writers festival I heard Alexis West read some of her poetry. It spoke of the frustration she has with having to explain repeatedly why golliwogs are offensive, and the way her patience was tried by white people wanting recognition and gratitude for “having black friends”. It was raw and real and I loved it.

Then she apologised if her poetry was too angry or offensive in any way to our paler sensibilities. She told us she hated being "that person" - the angry black woman. I wished she hadn’t apologised. There's not enough anger expressed about this kind of thing, in my opinion. 

Also, in a small, hesitant way, I could relate. I sometimes feel as if I'm continually an angry feminist. Like black women, but obviously to a lesser extent, women in general are constantly assessing whether to express our anger in response to sexist behaviour and be “that person” or just swallow our offendedness, smile and move on.

This dilemma was highlighted to me the other day when I posted a feminist cartoon on facebook which seemed to spark reactions from various folks in my social media network. The conversation seemed to take on a life of its own, going in directions I hadn’t envisaged, and raising sub-issues that I hadn’t previously considered. 

Then some people started getting quite angry, reacting to other people's comments. And I began to feel a little bit uneasy. But a voice inside told me not to moderate...just yet. And sure enough, somebody else felt it was their job to moderate. A male friend. “I think we all need to calm down now” was the sentiment. 

It seemed to me that women were angry, and men couldn’t handle it. One man had already left the discussion, in fact. I began to wonder why the anger of the oppressed is so confronting. Sure, it's raw and uncomfortable and not "nice". Yet, that anger is a direct result of violent and discriminatory systems that are not nice either. And certain groups have benefited from this structural violence for centuries.

So, why should Aboriginal people be expected to consider the feelings of those of us who have benefited from their dispossession and discrimination for the past two centuries? Why should the LGBTIQ community be expected to consider the bigots who have bullied them their whole lives as equally entitled to voice their toxic views? And why should women constantly accommodate the discomfort of men? No! I think those of us who are oppressors and benefit from oppressive structures have no right to tell the oppressed when to be silent.

This whole outpouring of frustration reminded me of a book called “Women who dance with wolves”. This book, which draws from Indigenous fables and stories, explores a number of archetypal women who are expressed in their rawest form. One character is a skeleton woman who follows a fisherman back to his cave. Another is a woman who makes more animal sounds than human ones and collects bones in the desert. A young girl dances like crazy in her new red shoes until she becomes a cripple. These women are angry, sad, ecstatic...the full gamet of emotions. I wonder why our so-called modern society tries to suppress this rawness and realness and "not nice-ness" in the expression of emotion?

So, as I process my own anger, and choose which battles to fight and which ones to let go, I will seek out poetry and literature and art where those raw expressions of emotion are evident. I hope people like Alexis West don't stop writing their poetry. Because it's through expressing the anger and pain that we not only move through it, but open up the possibility for the "other" to reach an understanding about their own privilege and power.

Well read and intellectually fed

Amid glasses of wine placed precariously at people's feet, bowls of soup balanced on knees and almost enough seats for everyone, the first meeting of the Women Author's Bookclub commences. As the discussion moves from style to character development and on to an animated debate about what actually happened in the end, I feel a sense of gladness. Yes, this is what I had in mind.

The idea for this particular bookclub was a few years in the making. At the end of 2012 I set myself three intentions and one was that I would join a bookclub. It seemed like a good way to nurture my mind. About a year later the bookclub thing came to fruition. Having heard about a movement of people choosing to deliberately and only read books written by women, acknowledging that by default we tend to read books written by men, I decided to take the matter into my own hands. I started a women authors' bookclub!

Having never even attended a bookclub myself before, I had to google how to go about it. I wanted the group to be egalitarian in its decision making, and for everyone to take turns hosting, choosing the book, and facilitating the discussion. I wanted it to be fun, as well as intellectually stimulating. I mentioned the idea on facebook, and suddenly a whole bunch of my friends wanted to be involved, and so the Women Author's Bookclub was formed.

We've read a range of books. Some memoire, some fiction. We've covered Australia, USA, Nigeria, Kenya (briefly), Sri Lanka, Germany, England and France. We started in Australia, with our friend Chrissy Howe's "Song in the Dark" about a boy and his grandmother. The novel covered issues of drug addiction, hope and family connection. Then we read "All that I am" by Anna Funder. This followed anti-Nazi activists from Germany to London where life as political refugees is challenging to say the least. The main character reminded me of an activist I know, and her commitment led us to consider the lengths we would go to for a cause we believe in.

Next, we seemed to read a string of quite heavy books about race and/or sexual abuse. "Caleb's Crossing", by Geraldine Brooks explored life in the early settlement days of North America, through the story of the first Native American man to go to University, told from the perspective of his closest childhood friend.  Alice Walker's "The Colour Purple" took us through the life of an African American woman in the deep south, told through her letters to her sister who is in Kenya. This woman faced abuse from her step-father and husband, but eventually found a way to create a sense of family and build self-confidence in herself and the women around her. "Two or three things I know for sure" continued the theme of sexual abuse, exploring how one white woman came to navigate life after rape, while "Americanah" by Chimamanda Ngozi Adichie continued the theme of race, with the story of a woman from Nigeria who came as a student to America. The thread running through this story was her relationship with her childhood sweetheart, whose life takes a very different path to hers.

"Plains of Promise" by Alexis Wright took us back to Australia, with journeys in and out of remote Aboriginal communities, in an attempt to understand an Aboriginal woman's heritage and connection to her spiritual power. For something quite different, we read "The elegance of the hedgehog" about a well educated and cynical concierge in a bourgois hotel in France. It is the arrival of a Japanese resident that changes how everybody sees one another. Our next book was Michelle de Kretzer's "Questions of Travel", which explores the parallel lives of a white Australian woman who travels around and lives in Europe and a Sri Lankan man who seeks asylum in Australia. And we ended the year with "Wild" by Cheryl Strayed, which follows a white North American woman on a journey of self discovery as she hikes her way across the Pacific Trail following the death of her mother and breakdown of her marriage. 

All of these books have been really good reads. I particularly valued the fact that I got to partake in books that I wouldn't necessarily choose for myself, although i still found them all really interesting, well written, and engaging. I did notice that women write of pain and suffering in a particularly knowing way, and I'm glad I had others to share and reflect on this experience with. So, we're yet to see if the bookclub will continue, whether it will take on a new theme, or fade away. But whatever the outcome, I am so glad we did it! I feel incredibly grateful that I had the opportunity to read those books. 

Oh captain my captain

My favourite movie for many years was "Dead Poets' Society". Being a drama student I guess I felt I could relate to some of what the boys went through. Theatre was my mode of self expression, and I was also trying to find that balance between being brave and seizing the day, while at the same time being expected to fit in with societies norms and structures.

The film was also my first introduction to Robin Williams, and he quickly became a favourite actor of mine. I loved the passion, the integrity and the courage of his character in Dead Poet's Society - I, too, wanted to be challenged to rip out the pages of the textbook, emerse myself in poetry, express anger wholeheartedly and be encouraged to go think for myself.

In many of his roles Robin Williams seemed able to capture complex elements of the human spirit, whether it is the heartbroken yet tough-love psychologist in Good Will Hunting, desperate father in Mrs Doubtfire, or radio presenter in Good Morning Vietnam. And his comedy always had a depth to it.

The most memorable scene in Dead Poet's Society for me was the one where Robin Williams' character returns to collect a few personal items after he has been asked to leave the school quietly. He has been scapegoated as the cause of his student's suicide death and the class has gone back to using the textbook and thinking within the box. You begin to wonder whether the teacher had any impact at all. But one boy dares to stand up, to express his gratitude and sense of injustice as a small act of civil disobedience, and gradually the others follow. I am always in floods of tears at this point.

So, as I mourn the departure of a man whose life work touched so many people, I give thanks for the ways that he made us laugh, encouraged us to seize the day, and bore witnessed to the complex realities of being human. I want to stand up on my desk and address him with the respect he deserves: "Oh captain, my captain".

Wild Woman

I've been thinking about how I'm very rarely described as a strong, confident woman. Instead, people normally say that I'm nice, or thoughtful. Which I don't mind, of course. It's just that the strong, confident women are the ones that make things happen, who earn respect. A very wise friend of mine is often telling me that I need to tap into my "Xena the Warrier Princess" alter-ego a little more. He thinks she's in there somewhere.

Following on from this advice, I was reading a book mum lent me called "Women who run with the wolves". Within every woman, the book assures me, lives a powerful force made up of good instincts, passionate creativity and ageless knowing. Through unpacking the experience of "wild women" in a number of folk and fairy tales, we learn of our innate power and potential, even if we are quiet, or not conventionally beautiful, or a bit broken.

Often what these wild woman face and fight are not enemies of a physical kind, but the enemies within. Their stories are about overcoming emotional obstacles, learning a difficult lesson or discovering one's power. The skeleton woman emerges from the sea on the end of a fisherman's hook, and chases him back to a cave where she takes his heart and through his eventual acceptance becomes flesh again. A young girl buys a pair of "too scandalous" red shoes that give her the urge to dance uncontrollably until she must cut off her feet to stop. The ugly duckling must find her own kind, the place where she belongs and is beautiful. Vasilisa the brave is sent by her mean step-mother to Baba Yaga, the old witch lady known for eating people. When she completes the impossible tasks set by Baba Yaga, with the help of a magic doll, she is free to return home. Etc.

So, what is my wild woman story? There are elements of all the stories in my life.  Like the girl with the red shoes, I have struggled with addiction (mainly to chocolate, gelato and all things sweet) and seen my wellbeing and weight spiral out of control when I don't keep my cravings in check. I've also faced the death/life/death cycle in relationships that the fisherman faced, where the dark side of the other person is revealed, and you want to run away because you feel betrayed by their frailty, but you continue anyway, finding that acceptance can give new life to the relationship. I have been on a journey to connect with "my people" just like the ugly duckling, because being a little different can feel lonely. I have found that sense of connection with the Quaker community, and also in new friends who are passionate activists.

I also think my story is about Vasilisa the brave. She journeys from subservience to independence. For me, it has been fear, not an evil stepmother, that I have been a slave to. I'm often too scared to set boundaries, to try new things, and to be vulnerable. It took me about half an hour of procrastination disguised as "getting ready" before I set off on my first after-dark bike ride home. But recently I've been tapping into the power of that magic doll. I stood up to a few of those bullies. I have been blogging more, accepting that not everyone will like or agree with what I write. I have been prepared to follow through on tough work decisions that more senior men could not bring themselves to address. And earlier this year I found the courage to finally face a longstanding pain, and sow the seed of meaningful reconciliation. My strength is not big or loud or obvious, but I think you will agree that it is there if you delve a little deeper.

Woman and wolf

Yep, I am woman, here me roar... or howl, if we are keeping with the wolf theme. I know that my power, while quiet and backgroundy, still contains those elements of good instincts, passionate creativity, and ageless knowing. Of course, I still have a few more internal enemies to fight. In fact you could probably write a whole season of Zena episodes or anthology of wild woman fairy tales representing the issues I still need to work through. But I am proud of the wild woman that I am, and actually look forward to the next chapter of my own little folktale with anticipation.

Letters I've written

Now, this is going to make me sound really old, but in my day we didn't have facebook or email or skype - we just wrote one another letters... lots and lots of letters. During my teenage years, I corresponded with friends in other cities, love interests, boyfriends, mentors, pen friends overseas who I'd never met, and school friends who I saw every day. It was the way we expressed ourselves, and how we connected.

There is a box at my parents' place full of letters that I received, and cherished. This little box of treasures provides a glimpse into the 1980's teenage experience, expressed through the people I was communicating with. There are tentative reflections in french on a memorable night, angsty post-break up letters complete with lyrics from REM, tales of road trips and overseas travel accompanied by photos, drawings and mixed tapes, queries about life's purpose, declarations of love, and secrets shared that I have never disclosed. Boy-crazy letters and girl-crazy letters. Letters on pretty paper, neat paper, and on the back of recycled paper. Letters that followed ruled lines, and others that whirled across the page in a spiral. That was the great thing about those letters - there were no rules, and each person's style of writing and choice about the packaging said as much about them as the words they wrote.

While I hold some of the letters written to me, those I wrote are scattered around the world. I have since wondered who kept them, what they meant to the recipients, what I was saying back then, and where they will end up. After my grandfather died, and we were methodically and painstakingly going through his possessions, I stumbled upon a Valentine's Day card Grandma had written him early on in their marriage, when she was not much older than I was at the height of my letter writing era. I felt like an intruder into a time and intimacy that I hadn't been privy to before. I guess that's what happens with letters - sometimes they outlive those who cherished them.

After my friend David died, Lisa told me she had some of the letters I had written him over the years and that I could have them back if I wanted. He had kept them for over a decade. For those years since he died, I didn't feel ready to read them, perhaps scared to discover myself there - raw in black and white. What if I wasn't how I remember, or I don't like that girl? But one day I will read them, and like a voyeur again, I will be transported back into the experience of my 21 year old self, a girl who might seem as distant from my "today" self as the newly-wed woman was to my Grandmother. But that's the thing with letters...